Copy of `Whitstable Choral - Choral glossary`
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Whitstable Choral - Choral glossary
Category: Music and Sound > Choral
Date & country: 24/10/2013, UK Words: 663
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espirandogasping
espressivoto be played or sung with expression
estintobecoming extinct
estramamenteextremely
ethnomusicologythe study of music of different cultures, especially non-Western or non-European music.
etudea study written for the purpose of practising and developing facility in a special problem of technique, or for displaying the technical skill of the performer.
facilelight, easy
familiar stylechordal style in polyphonic music.
fantasiaa movement free in spirit and form, rather like an improvisation.
fantasticowhimsical
fastosoproudly, stately
fauxbordonparallel first inversion chords in 15th-century music.
fermaresolute, steady
fermataa pause or hold
fermatofirmly, resolutely
ferocefierce fervente
fervidovehement festivo/festoso
fiaccofeeble, weak
fiebilesad, mournful
fieramenteboldly
figurationrecurrent melodic pattern.
figured bassuse of numerals and other signs accompanying the notes of a bass part to indicate harmony to be filled in on a keyboard instrument; used in the Baroque.
finalthe concluding tone in a plainsong; the tonic.
finalethe last movement or concluding section of a large composition.
finethe end
finementacutely
flata symbol placed in front of a note to indicate lowering that note by one half step
floridornamented, embellished, decorated,
formthe plan of organization of musical materials.
forteloud
forte possibileas loud as possible
forte-pianoloud, then immediately soft
fortissimovery loud
forzastrength, power
forzando/forzatoforced, usually on one note or chord
freddezzacoldness
frescamentevigorously
frettaincreasing the time
fugalin the style of a fugue; use of contrapuntal imitation.
fughettaa short fugue or a fugal section in a composition.
fuguea contrapuntal form based on imitation of a subject (theme) written for two or more voices. It is based on a short theme or subject, stated at the beginning by one voice, and brought in by each of the others in turn.
funeralemournful
fuocofire, passion
furiosofuriously
furorefury, rage
gaiowith cheerfulness
galanteboldly, gallantly
garbograce, elegance
gavottean old French dance form, stately and dignified, in duple time beginning on the weak half of the bar. Sometimes found in the old suites. It was often followed by another Gavotte or a Musette, and then repeated.
garbatograceful
generosoin a dignified manner
gentilepleasing, elegant
gigue (jig)a lively dance in 6/8 or 12/8 time, usually the final movement of a suite. It was contrapuntal in style with the second half frequently using the inverted subject.
giocandocheerful, merry
giocosohumourously
giustezzaprecision
glissandoin a gliding manner, slurred
glissandoproducing all pitches between two or more notes, as by sliding the finger along the string of a violin or the keyboard of a piano.
gradevolegracefully
gradualmentegradually, by degrees
grandiosogrand, noble
graveextremely slow and solemn
graziosoin a graceful style
grossofull, great
grottescogrotesque
guibilazionejubilant
guistoequal, steady and exact time
gustotaste, expression
half noteone half the value of a whole note
harmonythe element of music having to do with simultaneous sounds, the combinations of tones, chord structure, chord progression, consonance, and dissonance.
homophony, homophonica texture consisting of a single melodic line with subordinate accompaniment. Also, sometimes used to mean chordal style in polyphonic music.
hopaka lively Russian dance in simple duple time.
hornpipea very lively English dance, first written in triple time but later in quadruple time. Now usually associated with sailors, but this apparently has no historical basis.
hymna religious song.
idiomstyle appropriate to a specific medium, its capacities and limitations. Also used to mean style in general.
il piuthe most
imin the
imitandoimitating
imitationa theme or melody which appears consecutively in different parts in contrapuntal texture.
impazienteimpatient, hurried
imperiosopompous
impetuosovehement
imponentehaughtily
impromptua piece that suggests improvisation, that has a feeling of informality. First used in the early nineteenth century.
improvisationto create music extemporaneously. Also applies to unindicated ornamentation and to realization of a figured bass.
inin, in the
incalzandowith growing warmth
inconsolatoin a mournful style
inquietorestless, uneasy
instantementeurgently
instrumentationthe instruments indicated in an orchestral score.
intermezzoan interlude, a piece designed originally to be performed between the acts of a play or opera.
intervalthe pitch distance between two tones, designated numerically as seconds, thirds, fourths, and so on.
intimoexpressive
intrata (intrada)the name given to an opening piece of march-like character. The Italian equivalent of an Entr
intrepidamenteboldly
inventiona short contrapuntal piece for two or three voices, in imitative style.
inversionin melody, the interval-for-interval progression in the opposite direction, up for down and vice versa. In harmony, the root of a chord in some part other than the bass, e.g., first inversion (third of the chord in the bass), second inversion (fifth of the chord in the bass).
invertible counterpointcounterpoint so designed that either of two melodic lines may be the upper.
iratoangrily