Copy of `Whitstable Choral - Choral glossary`
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Whitstable Choral - Choral glossary
Category: Music and Sound > Choral
Date & country: 24/10/2013, UK Words: 663
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capriccio (caprice)a piece of light and humorous style, usually in irregular form.
carezzandoin a tender manner
caritatenderness, feeling
celerequick, rapid
cembaloa harpsichord
chaconnea slow dance, very similar to a Passacaglia, probably originally from Spain. Usually in a major key, in 3/4 time, with a ground bass and generally in the form of variations.
chamber musican ensemble consisting of only a few instruments and usually only one instrument to a part.
chansonFrench term for song.
chantgeneral term for liturgical song similar to plainsong.
choirvocal ensemble, usually small church choruses. Also applied to groups in an orchestra: e.g., brass choir, woodwind choir.
choralmusic for chorus or choir.
choralea German Protestant hymn tune, upon which larger compositions such as the CHORAL PRELUDE were based.
chorale preludeorgan composition based on a chorale melody.
chorda combination of three or more tones.
chordal stylein vocal polyphony, a texture in which all the parts have the same rhythm and sing the same syllables simultaneously. Also called familiar style.
chorusa large vocal ensemble.
chromatic scaletwelve consecutive tones within an octave, one half step apart.
chromatic, chromaticismextensive use of accidentals in melody and harmony.
colwith the
collwith the bow
colla vocewith the voice
colorationwritten-out ornamentation.
coloraturaornamental passage in vocal music
comeas, like
come primaas before
comodoquietly, easily
compiacevoleagreeable
conwith (for various phrases beginning with con see other words)
con sordiniin strings, with mutes; in piano, with dampers, that is the damper pedal is not to be used.
concentoharmony of voices and instruments
concertoa composition for one or more solo instruments with orchestral accompaniment, usually written in three movements.
conjunctstepwise progression in melody.
consonance, consonantharmonic intervals (thirds, forths, fifths, sixths, and octaves) which produce a sense of repose; harmony which consists only or mainly of these intervals.
continuowithout cessation
contraltothe deepest female voice
contrary motionsimultaneous melodic progression in opposite direction between two parts. counterpoint, contrapuntal
crescendogradually getting louder
daby, from, for, etc.
da capoa sign at the end of a movement indicating that the player must return to the beginning. abbreviation: D.C.
da capo al finereturn to the beginning and play to the word
dal segnorepeat from the sign
dal, dalle, dallafrom the, by the, etc.
debileweak, feeble
decisoin a bold manner
decrescendogradually getting softer
delicatodelicately
deritta, derittothe right hand
destrathe right hand
devotoreligious
diof, with, from, etc.
di moltovery much
di sopraabove
diatonicmelody or harmony confined to the tones of the scale; the opposite of chromatic.
difficiledifficult
dignitagrandeur
diluendogradual dying away until no sound is left
diminished triada three-note chord consisting of two minor thirds.
diminuendogradually getting softer
diminutionto halve the note values of a melody
discioltoskillful, dexterous
discretodiscreetly
disjunctmelodic progression dominated by wide skips.
disperatowith desperation
dissonance, dissonantharmonic intervals (seconds, sevenths, ninths, augmented and diminished intervals) which produce the effect of action or tension; chords which contain one or more of these intervals.
divisiseparated (half the players play the upper notes, and the others play the lower notes.
dolcesweetly
dolentesorrowful
doloregrief, sorrow
dolorososorrowfully
dominantthe fifth tone of a diatonic scale, and the chord buik on that tone.
dopoafter
doppio movimentotwice as fast
dotted rhythmrhythmic patterns consisting of a dotted note followed by a note of the next smaller denomination (e.g., a dotted quarter followed by an eighth note).
double bartwo vertical lines drawn through one or more staves to indicate a major sectional division or the conclusion of a composition.
double fuguea fugue with two subjects and, correspondingly, two expositions.
double stoppingplaying two notes simultaneously on a bowed string instrument.
drammaticodramatic
due cordetwo strings
duotwo, in two parts
duolosorrow, sadness
duple metertwo or four beats to the measure.
duroharsh, rude
dynamicslevels of soft and loud.
ecclesiachurch
ecossaiseoriginally a slow dance in 3/4 time, allegedly of Scottish origin but not at all similar to the Scottish dance music, such as the reel. Later it became livelier and was written in duple time.
effrettothe effect of music on an audience
eighth noteone eighth the value of a whole note
elegante/eleganzagraceful, elegant
elegiacoplaintive
eleventh chorda chord of six tones, five superimposed thirds.
embellishmentshort, fast ornaments such as trills, mordents, and turns.
emozioneagitation
energicoforcibly
enfacticowith earnestness
ensemblea performing group consisting of two or more players or singers.
entremusic played between acts of a drama
entreean introduction, a march-like piece played during the entrance of a dancing group, or played before a ballet. Usually in 4/4 time.
epicoheroic
equabitmentemostly, evenly
equalmenteevenly, alike