Copy of `Whitstable Choral - Choral glossary`
The wordlist doesn't exist anymore, or, the website doesn't exist anymore. On this page you can find a copy of the original information. The information may have been taken offline because it is outdated.
|
|
Whitstable Choral - Choral glossary
Category: Music and Sound > Choral
Date & country: 24/10/2013, UK Words: 663
|
accelerandogradually getting quicker
accentemphasis placed on a tone or chord.
accidentala sharp, fiat, or natural sign.
accompanimentsubordinate harmonic and/or rhythmic material supporting a principal melody.
accrescendogetting louder
ad libitumat the performer
adagiovery slow
affabilein a pleasing manner
affettuosoaffectionate, with tender warmth
affrettandohurrying
agitatoexcited
air (ayre)a melodious composition used in some classic suites, which was designed to accompany dancing, but it was not one of the standard dance forms such as the Gavotte or the Minuet. a vocal or instrumental melody.
al fineto the end
al Tedescain the German style
al, alia, alleto the
allargandogradually slower and broader
allegrettoslightly slower than allegro
allegrolively, rather quick
allegro assaivery quick
allegro giustoquick, with exactness
allegro modetaromoderately quick
allemandethe first of the dances in the classic suite, written in duple time and played at a moderate tempo.
ambitusthe range of a plainsong from its highest to its lowest tone.
amorosoloving
andanterather slow, at a moderate pace.
andantinogenerally a little quicker than andante
andarego on
Anglaisean English country dance, sometimes part of the suite, in quick duple time, always starting on a strong beat.
anima (con)with life
animelively , spirited
animosoin a lively manner
anticipationan unaccented nonharmonic tone which resolves by repetition.
anticoancient
antiphonalalternating choirs.
appassionatoimpassioned
appenatogrieved, distressed
appoggiatoleaning upon, drawn out
arabesquea light and graceful piece with florid ornamentation in the melody.
arcatoplayed with the bow
ardentewith fire, vehemently
ardorewith love and warmth
areabilesweet, loveable
areoretenderness and affection
ariaa melodic composition for solo voice with accompaniment
ariettaa small aria in binary form, that is not having the middle section of the aria.arioso
arpeggiothe notes of a chord played consecutively in a consistently ascending or descending direction.
assaivery, extremely
assai piumuch more
atonalityabsence of key or central tonality.
attaccago on to the next
augmentationto double the note values of a melody.
augmented triada three-note chord consisting of two major thirds.
authentic cadencea cadence concluding with the progression dominant to tonic (V I).
authentic modein plainsong, a mode which ranges above the final.
auxiliary tonean unaccented nonharmonic tone approached step-wise from above or below a chordal tone to which it returns.
ayrea song or polyphonic vocal composition; old English spelling of air.
bagatelleliterally, a
balladea piece of a romantic type, usually in ABA form, combining dramatic and lyrical characteristics.
banda large ensemble consisting mainly of wind instruments. barcarolle
bar forma form in three sections, the first of which is ( AAB ).
bar, barlinea vertical line drawn through one or more staves to indicate a measure. Bar also means measure (e.g., a four-bar phrase).
baroccoeccentric, bizarre
bassa voice, instrument, or part in the low register.
bassalow, deep
bassothe bass part, the lowest male voice
basso continuothe instrumental figured-bass part in an ensemble played by one or more bass instruments and a keyboard instrument.
basso ostinatoa persistently repeated theme in the bass register.
beatthe unit of time in metric music. In time signatures, the upper numeral indicates the number of beats per measure.
ben marcatowell marked or accented
ben, benewell, good
bene placitoat will, at pleasure
berceusea lullaby, a quiet piece generally in moderate 6/8 time, with a rocking movement in the accompaniment.
binary two-fold/binary forma form of two divisions or sections (AB)
bistwice
bitonalityuse of two different keys simultaneously.
boleroa quick Spanish dance in 3/4 time with accompaniment of castanets.
bourreea French or Spanish dance, usually in quick duple time, starting on an upbeat; similar to the Gavotte, and often found in the old suites.
brasswind instruments which produce tone by vibration of the lips,
bravuraspirit, skill
brevea double whole note equal to two semi-breves or whole notes
brillantebright, sparkling
briovigor, spirit
broken chordthe tones of a chord played consecutively, usually according to some pattern.
buffa, buffocomic, humorous
burlandoin a playful manner
cadencethe harmonic or melodic progression which concludes a phrase, section, or composition.
cadenzaan ornamental passage near the end of a solo
calandogradually decreasing the time and tone
calcandohurrying the time
calmatotranquility
calorosowarmth, animation
cambiatain the Renaissance, an unaccented nonharmonic tone approached downward by step and resolved, on downward, by skip of a third to a chordal tone, followed by stepwise upward progression.
canona composition in which each part has exactly the same melody throughout the piece, starting at different points. The strictest form of imitation.
cantabilein a singing style
cantandoin a singing style
cantataa work for choirs and soloists with orchestral accompaniment.
cantosong, melody
cantus firmusa
canzoneta little song or piece with passages of imitation, something like a madrigal. capo
cappellaa church, a band of musicians that play in a church