Copy of `Tufts - Saxon hair terms`
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Tufts - Saxon hair terms
Category: History and Culture > Ancient hair stylings
Date & country: 31/01/2017, UK Words: 16
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Wimpleappeared by 1190, a length of fine linen or silk draped underneath the chin, across the throat. The ends were pinned at the crown of the head. During this time period, it always accompanied a veil , and usually a circlet. (Fig 12).
Loose Hairwas only worn by young girls, unmarried, and queens during coronation ceremony and brides. Often a circlet was worn.
Turbanthis style was popular throughout the 15th century. Its influence was Turkish, probably after the capture of Constantinople. They were light, made of wire mesh and fabric.
Veilsmade of light-weight fabric like silk, cambric, or fine linen. They were usually rectangular lengths with a hole cut in the middle for putting the head through.
Hennineventually the horns became so tall and vertical they merged into one tall horn. In England, the cone had a flat top and would not exceed a height of nine inches. Compared to the 2-3 feet of Continental styles, this was modest. Transparent veils were attached to the top, or draped, sometimes to the ground.
Horizontal Braidingpopular in the mid 14th century, the head would go uncovered, but sometimes a fillet would support the plaits ( Fig. 22).
Hornedthe side cauls eventually grew to such large proportions that they became horns. The metal mesh that had encased the cauls became decorative surface for the fabric horns.
Head-tirescirclets of gold that could be worn by any Saxon of rank at this time. The circlets could be made of other material, and the veil could be worn under or over.
Heart-Shapedover time the horned headdresses rose in verticality, eventually forming a heart shape. They were crafted by goldsmiths, using rich fabrics and a gold mesh, usually set with needlework and jewels. The headdresses were so rich they were often mentioned in wills. Fig. 51 and 52 showcase a style in which a padded roll of fabric frames the face.
Extreme Lengththis trend was echoed in sleeve length ( considered one of the first fashion trends) The illusion of long hair was aided with fake hair, ribbons, silk tubes with tassels, and attached metal cylinders.
Filleta stiffened band of linken or silk worn around the head, over the barbette. Sometimes worn under a crown, with the tips showing. Became narrower over time. Young girls wore the fillet and barbette with flowing hair (fig 17), but more often the hair was braided ( fig 13) The fillet and barbette became narrower over time in this period.
Crespineor crespinette, a net or caul usually worn and attached to the barbette and fillet (Fig 15 and 16) Great ladies wore crespines of silk and jewels.
Caula crespine, or a net, this trend went hand in hand with the circular or horizontal braiding around the face. These cauls gradually got larger and larger.
Barbea pleated linen bib, which went out of fashion, along with the wimple, in the sixteenth century. Sumptuary laws of mourning made the barbe mandatory for Court.
Barbettesupposedly introduced by Eleanor of Aquitaine, was a band of linen encircling the face and pinned into place. At first it was only worn by royal ladies with a circlet or coronet (Fig 11) but was eventually adopted by all classes
Butterflyconsisted of a cap which resembled an inverted flowerpot, set at an angle orginally resembling the hennin, and then eventually becoming completely horizontal. The veil arrangement was important and structural. Sometimes the veil was starched into its folds, but often it was supported by wires. The V-shape was desirable.