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Translation Dictionary - Lyrics glossary
Category: Music and Sound
Date & country: 24/10/2013, UK Words: 469
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notturnosame as nocturne (see above)
obbligatorequired, indispensable
omaggiohomage, celebration
one-voice-per-part, or OVPPthe practice of using solo voices on each musical line or part in choral music.
organ trioin jazz or rock, a group of three musicians which includes a Hammond organ player and two other instruments, often an electric guitar player and a drummer.
ossia or oppureor instead; i.e., according to some specified alternative way of performing a passage, which is marked with a footnote, additional small notes, or an additional staff
ostinatoobstinate, persistent; i.e., a short musical pattern that is repeated throughout an entire composition or portion of a composition
ottavaoctave; e.g. ottava bassa
parlando or parlantelike speech, enunciated
Partitur (Ger)full orchestral score
passionatopassionately
pastoralein a pastoral style, peaceful and simple
pausarest
pedale or pedIn piano scores, this instructs the player to use press damper pedal to sustain the note or chord being played. The player may be instructed to release the pedal with an asterisk marking (*). In organ scores, it tells the organist that a section is to be performed on the bass pedalboard with the feet.
penserosothoughtfully, meditatively
perdendosidying away; decrease in dynamics, perhaps also in tempo
pesanteheavy, ponderous
peulittle by little
pimore; see mosso for an example
piacevolepleasant
piangevoleplaintive
pianissimo or ppvery gently; i.e., perform very softly, even softer than piano. This convention can be extended; the more ps that are written, the softer the composer wants the musician to play or sing, thus ppp (pianississimo) would be softer than pp. Dynamics in a piece should be interpreted relative to the other dynamics in the same piece. For example, pp should be executed as softly as possible, but if ppp is found later in the piece, pp should be markedly louder than ppp. More than three ps (ppp) or three fs (fff) are uncommon.
piano or p (usually)gently; i.e., played or sung softly (see dynamics)
piano-vocal scorethe same as a vocal score, a piano arrangement along with the vocal parts of an opera, cantata, or similar
pizzicatopinched, plucked; i.e., in music for bowed strings, plucked with the fingers as opposed to played with the bow; compare arco (in this list), which is inserted to cancel a pizzicato instruction
pochettino or poch.very little
pocoa little, as in poco pi
poco a pocolittle by little
poeticopoetic discourse
poithen, indicating a subsequent instruction in a sequence; diminuendo poi subito fortissimo, for example
portamentocarrying; i.e., 1. generally, sliding in pitch from one note to another, usually pausing just above or below the final pitch, then sliding quickly to that pitch. If no pause is executed, then it is a basic glissando; or 2. in piano music, an articulation between legato and staccato, like portato, in this list
portato or lourecarried; i.e., non-legato, but not as detached as staccato (same as portamento , in this list)
posatosettled
potpourri or pot-pourri (Fr)potpourri (as used in other senses in English); i.e., a kind of musical form structured as ABCDEF... etc.; the same as medley or, sometimes, fantasia
precipitatoprecipitately
prelude or pra musical introduction to subsequent movements during the Baroque era (1600's/17th century). It can also be a movement in its own right, which was more common in the Romantic era (mid 1700's/18th century)
prestissimoextremely quickly, as fast as possible
prestovery quickly
prima voltathe first time; for example prima volta senza accompagnamento (the first time without accompaniment)
primo or prima (the feminine form)first
quarter toneHalf of a semitone; a pitch division not used in most Western music notation, except in some contemporary art music or experimental music. Quarter tones are used in Western popular music forms such as jazz and blues and in a variety of non-Western musical cultures.
quasi (Latin and Italian)as if, almost, e.g. quasi recitativo like a recitative in an opera, or quasi una fantasia like a fantasia
rallentando or rall.Broadening of the tempo (often not discernible from ritardando); progressively slower
rapidofast
rasch (Ger)fast
ravvivandoquicken pace
recitativorecitatively; one voice without accompaniment
religiosoreligiously
repentesuddenly
restez (Fr)stay; i.e., remain on a note or string
retenu (Fr)hold back; same as the Italian ritenuto (see below)
ridicolosamentehumorously, inaccurate, and loosely
rinforzando (rf, or rinf.)reinforced; i.e., emphasized; sometimes like a sudden crescendo, but often applied to a single note
risolutoresolutely
rit.an abbreviation for ritardando; also an abbreviation for ritenuto
ritardando, ritard., rit.slowing down; decelerating; opposite of accelerando
ritenuto, riten., rit.suddenly slower, held back (usually more so but more temporarily than a ritardando, and it may, unlike ritardando, apply to a single note)
ritmicorhythmical
ritornelloa recurring passage for orchestra in the first or final movement of a solo concerto or aria (also in works for chorus).
rolled chordsee arpeggiato in this list
rondoa musical form in which a certain section returns repeatedly , interspersed with other sections
roulade (Fr)a rolling; i.e., a florid vocal phrase
rubatorobbed; i.e., flexible in tempo, applied to notes within a musical phrase for expressive effect
runa rapid series of ascending or descending musical notes which are closely spaced in pitch forming a scale
ruvidoroughly
sanft (Ger)gently
scatenatounchained, wildly
scherzando, scherzosoplayfully
schnell (Ger)fast
schneller (Ger)faster
schwungvoll (Ger)lively, swinging, bold, spirited
scordaturaout of tune; i.e., an alternative tuning used for the strings of a string instrument
secco, or sec (Fr)dry
seguecarry on to the next section without a pause
sehr (Ger)very
semitonethe smallest pitch difference between notes (in most Western music) (e.g., F
semplicesimply
semprealways
senzawithout
senza misurawithout measure
seriososeriously
sforzando or sfzmade loud; i.e., a sudden strong accent
shakea jazz term describing a trill between one note and its minor third; or, with brass instruments, between a note and its next overblown harmonic.
sharpa symbol (♯) that raises the pitch of the note by a semitone. The term may also be used as an adjective to describe a situation where a singer or musician is performing a note in which the intonation is an eighth or a quarter of a semitone too high in pitch.
short accentHit the note hard and short . (^)
si (Fr)seventh note of the series ut, re, mi, fa, sol, la, si, in fixed-doh solmization.
sicilianaa Sicilian dance in 12/8 or 6/8 meter
signsee segno
silenziosilence; i.e., without reverberations
similesimilarly; i.e., continue applying the preceding directive, whatever it was, to the following passage
sipariocurtain (stage)
slargando or slentandobecoming broader or slower (that is, becoming more largo or more lento)
smorzando or smorz.extinguishing or dampening; usually interpreted as a drop in dynamics, and very often in tempo as well
soavesmoothly, gently
sognandodreamily
solennesolemn
solo, plural solialone; i.e., executed by a single instrument or voice. The instruction soli requires more than one player or singer; in a jazz big band this refers to an entire section playing in harmony.
sonataa piece played as opposed to sung.
sonatinaa little sonata
sonatinea little sonata, used in some countries instead of sonatina