Copy of `Greg Dean's Stand-up Comedy Workshops - Comedy glossary`
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Greg Dean's Stand-up Comedy Workshops - Comedy glossary
Category: Games and Entertainment > Standup comedy
Date & country: 16/05/2018, USA Words: 96
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act outa quick scene with one or more POVs is enacted during a comedian’s show; also see scene work.
ad-libto make up a joke within a scripted show.
alternative reinterpretationsa list of meanings or functions of the connector that are not the same as that of the target assumption, one of which will become a reinterpretation.
assumption1.) the audience’s expectation that the 1st story will continue along the predicted line of though. 2.) everything one is not experiencing with one’s senses in the present.
beattake a a pause; to take a break for the purposes of comic timing.
behavioral jokesjokes constructed with the nonverbal connectors of character, emotions/state of mind, body language/actions, and sound effects.
bita section of a stand-up comedy show or routine, also a short routine or a section of a routine.
blue materialjokes using graphic sexual overtones, scatological (toilet) references, and swear words.
bombto to perform a comedy show which gets no or few laughs.
bookera person who hires and/or pays comedians to work in nightclubs.
capperan antiquated term for the final in a series of jokes on the same subject matter which ends the routine with the biggest laugh.
catch phrasea common phrase said in a extraordinary manner which becomes the trade make of a particular comedian. For instance Steve Martin’s “Excuse me.” or Billy Crystal’s “You look marvelous.”
callbacka joke that refers back to another joke performed earlier in the show; often presented in a different context.
characterPOV the perceptual position achieved when pretending to be someone or something else.
closing linethe final joke of a stand-up comedy show which should get a huge laugh.
comicsomeone who makes his or her living being funny by telling jokes.
connectorat the center of a joke, the one thing perceived in at least two ways. One way of perceiving it constitutes the target assumption; the second way of perceiving it reveals thereinterpretation.
comediansomeone who makes his or her living being funny by means of an amusing character.
Critic Spota location designated for evaluating one’s show; separate from the Rehearsal Space.
crowd workverbally bantering with the audience; also see riffing.
emceeMaster or Mistress of Ceremonies; the person who introduces the performers; also see M.C.
featurethe second comedian in the standard three comedian stand-up comedy show line-up; also see middle.
floppingbombing; not getting laughs.
flop sweatthe overabundance of perspiration one experiences from a panic reaction to bombing.
gaga joke.
gag filea joke file.
giga show business job.
graphinga scaling device with dots on paper for evaluating the effectiveness of jokes to determine their proper placement within a routine or show.
hammockinga technique for placing weaker material or improvisation between two strong comedy bits.
hackcomic who performs orverused and unorginal material.
headlinerthe third and last comedian considered the star of a standard stand-up comedy show.
heckleran audience member who talks and interrupts a show, usually by exchanging insults with the comedian.
improvisationakin to ad-lib, but usually refers to the spontaneous making up an entire bit or the continual comedic conversing with audience members.
inside jokea joke referring to information only a select group of people have.
Joke Minethe second part of the Joke Prospector Writing System begins with a setup and explains the process of using the joke mechanisms of target assumption, connector, andreinterpretation, to write a punch.
Joke Prospector Writing Systema joke writing system consisting of the two part of the Joke Mapand the Joke Mine.
jokey1. a term used to describe such obvious jokes that one would expect to hear a rim shot following them. 2. a comic’s groupie.
jokea device for expressing humor that employs a setup which contains a target assumption to misdirect the audience into accepting a bogus 1st story; and a punch which contains areinterpretation which creates a 2nd story that shatters the target assumption.
joke diagrama visual aid for illustrating the structure of a joke.
joke filejokes organized and stored on index cards or in a computer.
Joke Mapthe first part of the Joke Prospector Writing System starts with a topic, creates apunch-premise, forms a setup-premise, and concludes with writing setups.
killto to give an excellent comedy performance.
laughs per minutea measurement for counting the number of laughs in a show.
line-upa list of the comics slated to perform.
LPMlaughs per minute.
middlethe second comedian in the standard three comedian stand-up comedy show line-up; also see feature.
mikeabbreviation for microphone.
monologuea speech for one person; in comedy, a stand-up comedy script for a solo comedian.
Narrator POVthe perceptual position achieved when being an observer or non-participant of an experience.
Neuro-linguistic Programminga behavioral model and set of explicit skills and techniques founded by John Grinder and Richard Bandler. Defined as the study and mapping of the structure of the mind.
NLPNeuro-Linguistic Programming
on the roadcontinually working outside of one’s city of residence.
one-linera joke made up of only one or two sentences.
one-nightera job which only lasts one night.
opening linethe first joke of a stand-up comedy routine.
open-mikea policy to allow anyone to get on stage and try to be funny.
openerthe first of three comedians in a standard comedy club line-up.
pauseto stop talking in a show to enhance the timing of a joke.
POVpoint of view.
POVspoints of view
premisethe central concept from which a series of jokes or a routine is written.
punchthe second part of a joke that contains a reinterpretation that creates a 2nd story thatshatters the setup’s target assumption.
punch line(same as punch).
punch-premisea step in the Joke Map stating a negative opinion about a smaller aspect of thetopic.
regularscomedians who appears frequently at a particular nightclub.
Rehearsal Spacea location designated for practicing one’s show; separate from the Critic Spot.
reinterpretationan unexpected meaning or function of the connector that shatters the target assumption.
revealwithin the punch, the pivotal word, phrase, or action that exposes or presents the 2nd story’s reinterpretation.
rip into or rippingto attack, insult, or verbally tear into an audience member or comic who has heckled or otherwise deserves the abuse.
riffingverbally bantering with the audience; also know as crowd work.
rollon a delivering a string of jokes so that the audience continues laughing for an extended period without interruption.
routinejokes all on the same subject or story that can be repeated on a regular basis.
running gagmultiple callbacks; a recurring joke within the same show.
scene worka quick scene with one or more POVs is enacted during a comedian’s show; also see act out.
Self POVthe perceptual position achieved when performing as one’s self while participating in an experience.
seta a stand-up comedy show of any length.
setupthe first part of a joke that contains a target assumption to misdirect the audience into accepting a bogus 1st story.
setup-premisea step in the Joke Map stating the opposite opinion to that of the punch-premisefrom which setups are written.
seguea transitional sentence for purposes of leading from one joke or routine to another.
shticka Yiddish word meaning a comic scene or piece of business; often implying physical comedy.
showcaseto perform a stand-up comedy show for little or no compensation for the purposes of getting experience or being seen by a potential employer.
showcase cluba comedy club using a line-up of ten or more comics in a row.
shatterwith reference to joke structure, the point at which the audience realized that the target assumption is wrong.
sight gaga physical joke meant to be watched.
stage timethe duration, in minutes, a comedian spends in front of an audience making them laugh.
tag or tag linean additional punch immediately following a punch that does not require a newsetup.
takea a comedic facial reaction. Like the long Jack Benny take to the audience.
targeta shorter term for target assumption.
target assumptionthe misdirecting assumption in a joke’s setup which creates the 1st story and is shattered by the reinterpretation.
throw awayto put little emphasis on a point usually considered important. time slot the specific spot a comedian occupies within a showcase club line-up.
time slotthe specific spot a comedian occupies within a showcase club line-up.
timingthe use of tempo, rhythm, pause, etc. to enhance a joke, or tailor it to an individual performing situation.
topicthe single and overall subject of a routine based on a problem.
topical jokesabout current events.
topperan antiquated term referring to a joke playing off a previous joke; same as tag.
M.C.Master or Mistress of Ceremonies; the person who introduces the performers; also see emcee.