Copy of `Fine Arts Conservancy - Painting and art glossary`
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Fine Arts Conservancy - Painting and art glossary
Category: Arts > Painting and art glossary
Date & country: 17/11/2010, USA Words: 99
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AccretionsAn accumulation of extraneous matter on the surface of the painting that alters the original design, i.e. dirt, dust, grime, etc. Accretions Examples
Aging CracksVisible stress as a result of adverse environment conditions, mechanical or other causes that have developed over an extended period of time. The cracks are through all the layers of a painting beginning with the support. The individual cracks or fissures can form a network pattern of straight or barely curved lines. Aging Cracks Examples
AlligatoringThe upper paint layers pull away in a pattern similar to the look of an alligator`s hide when the drying process is compromised. The layer below is visible and the upper layer has a raised appearance. Also known as `drying cracks” – see `Drying cracks” for illustrations.
Auxiliary SplineAn attachment contributing stability and/or strength. Auxiliary Spline Examples
Backing RemovalRemoval of a previous lining which no longer has structural strength or is creating unintended problems in the painting; there are many ways to remove a backing, ranging from mechanical (scalpel), to heat or to solvents.
Bitumen DeformationBitumen paint, a dark paint made from coal tar and frequently used in 19th Century paintings, is subject to deformation resembling burn blisters resulting from an adverse chemical reaction within the paint itself as the paint ages. Bitumen Deformation Examples
BlanchingMilky areas in paint or varnish; a scattering of light from granulation in aged films. Blanching Examples
BleedingSuffusion of a color into adjacent areas, most often caused by moisture or solvents.
BlisterDisruption causing an area to protrude from the painting`s surface; separation of the paint from the ground, or both layers from the support. Blister Examples
Blooming VarnishSuperficial cloudy area in varnish; most often caused by moisture penetrating the varnish layer. Blooming Varnish Examples
BucklingDisruption causing ripples or ridges in canvas.
BulgesLocalized swelling from within or underneath caused by pressure.
BurnsBlistering and/or charring of a paint surface as a result of intense heat, often or associated with a fire or other open heat source.
ChalkingThe pigment in a paint layer that has turned to powder.
CleaningTo remove aged and discolored varnish; to remove dirt, grime or accretions. NOTE: ALTHOUGH CONSIDERED BY MANY TO BE A BENIGN AND ROUTINE PROCEDURE, CLEANING RANKS AMONG THE MOST DANGEROUS OF PAINTING RESTORATION PROCESSES IN UNSKILLED HANDS (SEE `OVERCLEANING”). Cleaning Examples
Cleaning Rear of canvasRemoving accumulated dirt, dust and grime reduces both damaging weight and tension on the canvas, ground and paint layers while removing acidic materials which physically degenerate the canvas. It must be removed in alternating small squares to avoid damaging excess tension from developing in the canvas, ground or paint.
Cleaning Testtests performed upon the varnish layer to determine the precise blend of solvents or enzymes, which will successfully remove the varnish (clean the painting) without also removing paint. The results are often dramatic. Cleaning Test Examples
CleavageSeparation and lifting of the paint and ground layers from the canvas; generally associated with cracking of the paint and ground layers. Cleavage Examples
CocklingA broad wrinkle or system of wrinkles without creasing.
ConsolidationProcedures to re-adhere flaking or delaminating paint to the canvas.
CrackingA failure of materials caused by stress. Cracking Examples
CracklePerpendicular disruption; fine cracks appearing in any of the painting`s layers. Crackle Examples
CraquelureNetwork of cracks. Caused by the shrinking of the paint or varnish. Craquelure Examples
CrazingMicroscopic fissures, developed from age, in the varnish layer, distorting light refraction which affects the appearance of haze. In extreme instances the varnish layer becomes opaque.
Crushed ImpastoImpasto (the application of thick layers of paint) leaves distinct patterns of an individual artist`s brushwork often identifying the authenticity of a particular painter`s work – these sharp peaks and well defined valleys are easily crushed through inept restoration where the application of too much heat during lining...
CreaseLine or mark made by folding or wrinkling.
CuppingAged paint, loosened by cracking, with edges curling to create cup-like formations. Cupping Examples
CutStraight separation in support caused by sharp slicing action. Cut Examples
DeformationsChange or alteration of the overall form of the painting or sections of the painting. Deformations Examples
DelaminationSeparation of the layer(s) of the ground, paint and/or varnish layer(s). Delamination Examples
DentA depression made by pressure. Dent Examples
DimpleAny small, hollow place that has not penetrated through the layers. Dimple Examples
Dirt /GrimeDirt of any kind, which has accumulated on the surface (accretion); may also be embedded into the support (soiling).
Dirt PocketWhen debris accumulates in the gap between the stretcher/strainer and the canvas, it is known as a dirt pocket; these substantially accelerate degradation of a painting and should be regularly cleaned out. Dirt Pocket Examples
DiscolorationChanges of hues, often uneven and obviously detrimental to the prevailing tones.
DrawStretch by tension. Draw Examples
Drying CrackleA network of cracks from stress to the paint as it dries; sometimes called shrinkage or traction crackle. Drying Crackle Examples
Drying CracksCurved and wide cracks that occur during the drying stage of the color layers which are a result of the chemical processes and/or physical influences; in the paint layer only. This is one of the major cracks in the paint layer. Also called `Alligatoring” Drying Cracks Examples
DustLoose fine particles on the surface. Dust Examples
EmbrittlementCanvas has become perceptibly fragile to the point of snapping, crumbling or breaking. Embrittlement Examples
FacingThe adhesion of a protective layer (most often tissue paper upon the face of a fragile painting) to prevent loss of the paint during conservation, or until conservation is performed. Facing Examples
Facing RemovalThe procedure for removing a facing. Facing Removal Examples
FadedLosses of brightness or brilliance of the color(s). Faded Examples
FillMaterial used to replace missing areas of loss, usually in ground layer. Fill Examples
FlakingExtreme cracking causing paint and/or ground layer to dislodge from the support, often through a combination of cleavage and cracking. Flaking Examples
FoldBend or double over upon itself.
Frame AbrasionsWhen the painting is installed in its frame in such a manner that the frame touches the painted surface, the frame will eventually abrade through the paint layer. The danger is that oxidation between the exposed layers will result in the paint peeling from the canvas in ever enlarging areas. Frame Abrasions Examples
FriableInsufficient binding media to adhere pigment to the ground layer causing the paint to become powdery, chalky or crumbly.
FumigateArrest insect infestation, mold or other biological growth threatening the work; generally performed by direct application of chemicals or exposure of the work to chemical fumes in a sealed chamber.
GroundCoating used to prepare canvas or panel for painting. One of the layers of a painting.
HoleOpen or hollow loss in the support, through the varnish. Hole Examples
Impact CrackleCracks in radiating circles caused by a blow. Impact Crackle Examples
Impact DamageMultiple losses, abrasions, tears, etc. from a major impact. Impact Damage Examples
Inherent ViceExisting condition, which causes deterioration of the painting as a result of its original construction.
InpaintingA restoration process to cosmetically re-establish color and/or detail to losses in the paint layer; generally accomplished with pigment in an appropriate binding medium applied by brush. Also called retouching. Inpainting Examples
Insect DamageNumerous species of insects feed upon materials in a painting, inflecting damage, which, if uncontrolled, can be massive. Most occurs on the rear of the canvas, and in extreme cases can leave the paint layer unsupported, causing it to collapse. Insect Damage Examples
Insect DetriusDroppings and other feeding remains left by insects – generally on the rear of the canvas. Insect Detrius Examples
Insect Resistant BackingA fine metal mesh , attached to a metal frame which , in turn encloses the rear and sides of the painting. Both the frame and mesh are of surgical grade stainless steel which is non-reactive with the painting: the mesh itself allows air circulation while preventing entry of insects. This system is excellent for tropical climates, but not recommende...
InsecureA damaged work, which maybe in the process of deterioration due to weakening of materials or due to weakness in structure or construction; work will probably sustain further damage if moved or handled without immediate attention.
Inter-layer DelaminationWith the right internal and external conditions the ground, paint layer and varnish separate from each other. Inter-layer Delamination Examples
KeyPiece of wood, which fits into the corners of a stretcher to maintain the tension of the canvas. Key Examples
LacunaMissing paint in a small area. Lacuna Examples
LiftingThe rising of the paintings surface; layer separation.
LiningAn auxiliary support applied by a conservator to the original support (canvas, etc.) of the painting when the original support no longer has enough strength to carry the weight of the painting. Linings can be constructed from a variety of material, including canvas, fiberglass etc. and may be rigid, semi-rigid or flexible as the need demands. Linin...
Lining RemovalWhen a painting`s lining becomes degraded, it must be removed and replaced (relined). Lining Removal Examples
Loose paintAreas of the pigmented layer, which have lost adhesion and are no longer firmly fastened to the surface, but are still there. Loose paint Examples
LossMissing area in one or more layers of the painting; most frequently the result of flaking, abrasion, tearing, etc. Loss Examples
MediumBase, such as oil, varnish, water, etc. containing the pigmentation and used as a vehicle for the pigment.
Mold/MildewAny of various fungi growths, which invade many organic surfaces, provided sufficient moisture is present, producing enzymes that dissolve or degrade the host material. Mold/Mildew Examples
Over CleanedSee "Skinned".
OverpaintingRestoration requiring in painting where the restorer does not have skill enough to retouch within the damage area alone without having to extend the restored area substantially beyond the boundaries defined by the damage.
PatchSmall piece of fabric (usually canvas) used to mend a tear or puncture through application (usually adhesion) to the rear of the canvas. Patch Examples
Planer DistortionSee "Warping".
PunctureHole made by impact. Puncture Examples
RetouchingSee "Inpainting".
ScratchesLoss on the surface, which may extend to the paint and ground layers caused by marking the surface with something sharp. Scratches Examples
ShrinkingDistortion causing the material to become smaller or more compacted. Shrinking Examples
SkinnedWhere over cleaning has removed original paint Also called `excessive cleaning” Skinned Examples
Smoke DamageDeposition of partially combusted material and it`s accompanying odor: generally resulting from candles, tobacco, fireplace residue or a building fire.
SoilingDeposition of dirt or other materials upon the face of a painting; this may include fingerprints.
SplitA rupture running along the grain of a piece of wood, usually caused by stress. Split Examples
StainA soiled or discolored appearance caused by a foreign substance or uneven aging.
StrainerAuxiliary support – fabric over wood, fastened tightly at all joints. Strainer Examples
Stress CracksVarious types of external pressure (impacts, etc.) create stress in the ground and paint layers, eventually resulting in cracking of the paint film. Stress Cracks Examples
StretcherAuxiliary support – fabric over wood, tongued and slotted at its joints to allow tightening. Stretcher Examples
Stretcher CracksCracks developing in the painting`s corner from over tightening the keys.
Stretcher MarksA crease or line of cracks in the ground or paint layer of a painting, following the inside edges of stretcher members or the edges of cross-members caused by the support touching or resting against the members of the stretcher. Stretcher Marks Examples
Strip LiningA partial (or strip of) lining confined to the outer edges of the painting when it is necessary to strengthen the edges but not yet necessary to line the entire canvas. Strip Lining Examples
Superficial GrimeAccumulated dust, grease, smoke and attendant particulate matter, which generally accumulates by precipitation out of the air or by transfer through inappropriate handling. Superficial grime can become imbedded in some instances and can be difficult or impossible to remove. Superficial Grime Examples
SupportMaterial providing the foundation for the painting; most commonly canvas or wood, and occasionally metal, masonite or other materials.
Support FailureDeteriorated canvas, which no longer has enough strength to support the painting. Support Failure Examples
Tacking EdgeEdge of fabric on painting used as a means of attachment, turning it over the sides of its auxiliary support.
TearA break in fabric as a result of tension. Tear Examples
TentingDelaminating of the paint and /or ground along cracks where the delaminated layers lift upward into a pattern resembling the peaked tops of tents. Tenting Examples
VarnishResins in oil or solvent, used primarily for protecting the surface of the painting.
Varnish AgingNatural resin varnishes turn first golden in hue and then progressively darker with age, causing a serious distortion of the artist`s original colors. Varnish Aging Examples
WarpingA structural distortion of the support whereby the support has become twisted, turned or bent out of shape; no longer flat or in plane. Warping Examples
Water DamageLifting, delamination and loss of paint resulting from water coming into contact with the painting and drying. Damage follows the course of the water over the painting. Water Damage Examples
Water StainingStaining on the rear of the canvas caused by water coming into contact with the canvas and subsequently drying. Generally accompanies water damage (lifting and delamination) on the front of the painting. Water staining can also occur on the front of contemporary unvarnished paintings. See `Water damage”. Water Staining Examples