Copy of `The City of Birmingham Symphony Orchestra - Musical terms`
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The City of Birmingham Symphony Orchestra - Musical terms
Category: Music and Sound > Classical music
Date & country: 15/11/2007, UK Words: 61
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AdagioQuite slow.
AllegroFast, cheerful.
AndanteModerately slow or walking pace.
AnthemA religious choral composition in English the Protestant equivalent of the motet.
AriaA song for solo voice with orchestral accompaniment, generally expressing intense emotion. Generally found in opera, cantata, and oratorio.
ArpeggioBroken chord in which the individual tones are sounded one after another instead of simultaneously.
AtonalityTotal abandonment of tonality. Atonal music moves from one level of dissonance to another.
BalladeFrench poetic form and chanson type with courtly love texts. Also a Romantic genre, especially a lyric piano piece.
BalletA dance form featuring a staged presentation of group or solo dancing with music, costumes and scenery.
BaritoneMale voice of moderately low range.
BassMale voice of low range.
BWVA way of cataloguing Bach's works, it is an abbreviation of Bach-Werke-Verzeichnis
CadenzaVirtuosic solo passage in the manner of an improvisation, performed near the end of an aria or a movement of a concerto.
CanonType of composition in which one musical line strictly imitates another at a fixed distance throughout.
CantabileA singing style.
CantataA work for solo singers, chorus and instrumentalists based on a lyric or dramatic poetic narrative. It generally consists of several movements including recitatives, arias and ensemble pieces.
CelestaPercussion instrument resembling a miniature upright piano, with tuned metal plates struck by hammers that are operated by a keyboard.
ChordSimultaneous combination of three or more tones. A single block of harmony.
CodaThe last section of a piece, usually added to a standard form bringing the music to a close.
ConcertoA piece in which an instrument (or ensemble) contrasts with an orchestral ensemble.
CounterpointThe compositional art of combining two or more simultaneous melodic lines. A polyphonic texture.
CountertenorThe male voice at alto pitch
CrescendoThe dynamic effect of gradually getting louder.
DecrescendoThe dynamic effect of gradually getting softer.
DissonanceA combination of tones that sounds discordant and in need of resolution.
DolceTo be played sweetly.
DuoSimilar to a duet: simply, a piece written for two performers.
EncoreAn audience request that the performer(s) repeat a piece or perform another.
ExpositionOpening section.
FalsettoVocal technique whereby men can sing above their normal range.
ForteAn Italian term meaning loud.
FuguePolyphonic form popular in the Baroque era in which one or more themes are developed by imitative counterpoint.
GamelanMusical ensemble of Java or Bali, usually made up of gongs, chimes, metallophones and drums.
GlissandoRapid slide through pitches of a scale.
Ground BassA repeating melody, usually in the bass, throughout a vocal or instrumental composition.
HarmonicsIndividual pure sounds that are part of any musical tone. In string instruments they are produced by lightly touching a vibrating string at a certain point.
HomophonicA texture with a principal melody and accompanying harmony, as opposed to polyphonic.
ImprovisationCreation of a musical composition while it is being performed, most commonly seen in Baroque ornamentation, cadenzas of concertos and jazz music.
Incidental MusicMusic either specifically composed for, or used in, a drama.
InterludeMusic usually played between sections of a musical or dramatic work.
JigA vigorous dance developed in the British Isles and popular as an Irish traditional dance style.
LargoBroad and slow.
LeitmotifA basic recurring theme, representing a person, object or idea, commonly used in Wagner's operas.
LibrettoText, or script, of an opera.
MadrigalRenaissance secular work originating in Italy for voices, with or without instruments.
MazurkaA type of Polish folk dance.
OctetA group of eight performers - or any piece written for that combination of instruments.
Orch.Abbreviation for 'orchestrated'. Orchestration is the art of arranging music for the orchestra, often from an original piano or chamber score.
OvertureA short orchestral work written to either introduce an opera or ballet, or to begin a concert programme.
Piano QuartetA group made up of one piano, one violin, one viola and one cello - or a piece written for that combination of instruments.
Piano TrioA group made up of one piano, one violin and one cello - or a piece written for this combination of instruments.
PremiereThe first public performance
QuartetA piece for four instruments, or a group that performs such a piece.
QuintetA piece written for, or group of, five performers - often two violins, two violas and cello (string quintet) or two violins, viola, cello and piano (piano quintet)
SonataA term given to a three-part piece, normally comprising Exposition, Development and Recapitulation.
String QuartetA group made up of two violins, one viola and one cello - or any piece written for this combination of instruments.
String TrioA group made up of one violin, one viola and one cello - or a piece written for this combination of instruments.
SuiteA set of instrumental pieces written to be played in one performance.
SymphonyAn extended work for orchestra, often divided into several movements.
VirtuosoA truly exceptional musician.
K.A way of cataloguing Mozart's works - the number given to this piece in Ludwig Kochel's catalogue of all Mozart's music.