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Look up: Tempera

  1. tempera
    [n] - pigment mixed with water-soluble glutinous materials such as size and egg yolk
    Found on http://www.webdictionary.co.uk/definitio

  2. Tempera
    A traditional painting medium which requires the Artist to make-up his paints each day using egg yolk as a binder. British Artists showing at Red Rag Modern British Art Gallery and using Egg Tempera include: Peter Messer and Rob Milliken.
    Found on http://www.redraggallery.co.uk/art-gloss

  3. tempera
    Painting medium in which powdered pigments are mixed with a water-soluble binding agent such as egg yolk removed from its sac. It is noted for its strong, translucent colours, and can be thinned...
    Found on http://www.encyclo.co.uk/local/20688

  4. Tempera
    The technique of painting with pigments bound in a water-soluble emulsion, such as water and egg yolk, or an oil-in-water emulsion such as oil and a whole egg. Some tempera paints are made with an artificial emulsion using gum or glue. Traditionally applied to a rigid support such as a wood panel, the paint dries to a hard film.
    Found on http://www.tate.org.uk/collections/gloss

  5. tempera
    a rapidly drying paint consisting of egg white(or egg yolk or both),gum,pigment and water Category: The chemical industry
    Found on http://www.mijnwoordenboek.nl/definition

  6. Tempera
    a paint made from egg whites, glue, pigments and water.
    Found on http://www.encyclo.co.uk/local/20935

  7. Tempera
    Painting medium consisting of powdered colour pigments, egg yolk or egg white and water; used for panel painting until the 15thC when it was superseded by oil paint.
    Found on http://www.encyclo.co.uk/visitor-contrib

  8. Tempera
    Tem'pe·ra noun [ Italian ] (Paint.) A mode or process of painting; distemper. » The term is applied especially to early Italian painting, common vehicles of which were yolk of egg, yolk and white of egg mixed together, the white juice of the fig tree, and the like.
    Found on http://www.encyclo.co.uk/webster/T/23

  9. Tempera
    Tem'pe·ra noun [ Italian ] (Paint.) A mode or process of painting; distemper.
    Found on http://www.encyclo.co.uk/webster/T/23

  10. tempera
    A mode or process of painting; distemper. ... The term is applied especially to early Italian painting, common vehicles of which were yolk of egg, yolk and white of egg mixed together, the white juice of the fig tree, and the like. ... Origin: It. ... Source: Websters Dictionary ... (01 Mar 1998) ...
    Found on http://www.mondofacto.com/facts/dictiona

  11. tempera
    poster paint noun pigment mixed with water-soluble glutinous materials such as size and egg yolk
    Found on http://wordnetweb.princeton.edu/perl/web

  12. Tempera
    • (n.) A mode or process of painting; distemper. • (n.) A mode or process of painting; distemper.
    Found on http://thinkexist.com/dictionary/meaning

  13. tempera
    tempera 1. A painting medium in which pigment is mixed with water-soluble glutinous materials; such as, size or egg yolk; poster color, poster paint. 2. Painting done in this medium.
    Found on http://www.wordinfo.info/words/index/inf

  14. Tempera
    A paint material mixed with egg white, casein or glue, to create an effect of luminescence.
    Found on http://www.artisansofthevalley.com/comm_

  15. Tempera
    Pigments mixed with egg yolk and water. Also, a student-grade liquid gouache
    Found on http://www.watercolorpainting.com/glossa

  16. tempera
    tempera (tem'puru) , painting method in which finely ground pigment is mixed with a solidifying base such as albumen, fig sap, or thin glue. When used in mural painting it is also known as fresco secco (dry fresco) to distinguish it from the buon fresco (true fresco) applied to damp walls. The n...
    Found on http://www.infoplease.com/ce6/ent/A08481

  17. Tempera
    Tempera is a mode or process of painting, the term especially being applied to early Italian painting, in which egg and glue were used to bind the colours.
    Found on http://www.probertencyclopaedia.com/brow

  18. Tempera
    Tempera is a process of spreading a mixture of paint and a glutinous material on a flat surface. It is a process which was popular with early Italian artists.
    Found on http://www.probertencyclopaedia.com/brow

  19. tempera
    Painting medium in which powdered pigments are mixed with a water-soluble binding agent such as egg yolk removed from its sac. It is noted for its strong, translucent colours, and can be thinned with water. In use before the introduction of oils, a form of tempera was used in ancient Egypt, and egg tempera was the foremost medium for panel pain...
    Found on http://www.talktalk.co.uk/reference/ency

  20. Tempera
    Pigments mixed with egg yolk and water. Also, a student-grade liquid gouache.
    Found on http://www.creative-holidays-spain.com/g

  21. Tempera
    Pigments mixed with egg yolk and water. Also, a student-grade liquid gouache.
    Found on http://www.watercolorpainting.com/glossa

  22. TEMPERA
    Technique of painting in which water and egg yolk or whole egg and oil mixture form the binder for the paint. Used also as a term for cheap opaque paints used in schools.
    Found on http://www.rexart.com/glossary.html

  23. Tempera
    Traditionally, tempera is made with whole eggs or egg- yolk, various kinds of glue or gum. An emulsion used is a medium for pigment. The medium is used for bon fresco and panel paintings.
    Found on http://www.latinart.com/glossary.cfm?sor

  24. TEMPERA
    A painting medium in which the binder is egg yolk.
    Found on http://www.modernsculpture.com/glossary.

  25. tempera
    Paint made using yolk or white of egg as carrier, mixed with pigment. Water-soluble. Used widely before the introduction of oil paint.
    Found on http://www.artbible.info/art/glossary.ht



...

13 February 2012

This day in history:
The fifth queen of Henry VIII was Catherine Howard. Her father was very poor, and Catherine lived mainly with Agnes, widow of the 2nd duke of Norfolk. Henry was evidently charmed by her and he was privately married to Catherine at Oatlands in July 1540. In November 1541 Archbishop Thomas Cranmer informed Henry that his queen's past life had not been stainless. After some denials the queen herself admitted that this was true; but denied that she had misconducted herself since her marriage. Some fresh information, however, very soon came to light showing that she had been unchaste since her marriage; a bill of attainder was passed through parliament, and on the 13th of February 1542 the queen was beheaded. read more

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