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Look up: gesso

  1. Gesso
    Gesso is a composition of whiting and glue - sometimes plaster of Paris and glue or size - used for the execution of relief work on woodwork and plaster. Gesso can be modelled when wet and carved when dry.
    Found on http://www.probertencyclopaedia.com/brow

  2. gesso
    Base coat that contains gypsum (plaster).
    Found on http://www.papiermache.co.uk/glossary/

  3. Gesso
    An under-painting medium consisting of glue, plaster of Paris, or chalk and water. Gesso is used to size the canvas and prepare the surface for painting. Red Rag Scottish Artist Jock MacInnes paintings are undretaken on Gesso boards.
    Found on http://www.redraggallery.co.uk/art-gloss

  4. gesso
    In painting and gilding, an absorbent white ground made of a mixture of plaster and size (a gluey mixture). Gesso was used as a preparatory base for panels and canvases,...
    Found on http://www.encyclo.co.uk/local/20688

  5. Gesso
    a gypsum compound, or a mixture of chalk and size, which provides a smooth white, absorbent surface, much used in early 19th century for adding ornament to woodwork.
    Found on http://www.encyclo.co.uk/local/20935

  6. Gesso
    The prepared ground of plaster and size for painting.
    Found on http://www.crsbi.ac.uk/resources/glossar

  7. gesso
    A form of plaster which can be carved and gilded or painted for use as a decorating medium on furniture. Gesso (pronounced jesso) is a dense mix of powdered chalk and size which hardens on drying. It is built up in layers onto a surface or over a wire framework, or cast into a mould. The material was often used in place of wood for detailed relief …
    Found on http://www.encyclo.co.uk/visitor-contrib

  8. Gesso
    Ges'so noun [ Italian , chalk, plaster.] 1. Plaster of Paris, or gypsum, esp. as prepared for use in painting, or in making bas-reliefs and the like; by extension, a plasterlike or pasty material spread upon a surface to fit it for painting o...
    Found on http://www.encyclo.co.uk/webster/G/23

  9. Gesso
    • (n.) Plaster of Paris, or gypsum, esp. as prepared for use in painting, or in making bas-reliefs and the like; by extension, a plasterlike or pasty material spread upon a surface to fit it for painting or gilding, or a surface so prepared. • (n.) A work of art done in gesso.
    Found on http://thinkexist.com/dictionary/meaning

  10. gesso
    (Italian: `gypsum,` or `chalk`), fluid, white coating composed of plaster of paris, chalk, gypsum, or other whiting mixed with glue, applied to ... [3 related articles]
    Found on http://www.britannica.com/eb/a-z/g/26

  11. Gesso
    A painted or gilded bas-relief plaster decoration.
    Found on http://www.artisansofthevalley.com/comm_

  12. Gesso
    Ground plaster, chalk or marble mixed with glue or acrylic medium, generally white. It provides an absorbent ground for oil, acrylic, and tempera painting
    Found on http://www.watercolorpainting.com/glossa

  13. Gesso
    Ground plaster, chalk or marble mixed with glue or acrylic medium, generally white. It provides an absorbent ground for oil, acrylic, and tempera painting.
    Found on http://www.creative-holidays-spain.com/g

  14. Gesso
    Ground plaster, chalk or marble mixed with glue or acrylic medium, generally white. It provides an absorbent ground for oil, acrylic, and tempera painting.
    Found on http://www.watercolorpainting.com/glossa

  15. gesso
    Plaster of Paris or gypsum prepared for use in painting or sculpture.
    Found on http://www.glasgowsculpture.com/pg_gloss

  16. GESSO
    A white ground material for preparing rigid supports for painting. made of a mixture of chalk, white pigment, and glue. Same name applied to acrylic bound chalk and pigment used on flexible supports as well as rigid.
    Found on http://www.rexart.com/glossary.html

  17. gesso
    A form of plaster which can be carved and gilded or painted for use as a decorating medium on furniture. Gesso (pronounced jesso) is a dense mix of powdered chalk and size which hardens on drying. It is built up in layers onto a surface or over a wire framework, or cast into a mould. The material wa...
    Found on http://www.antique-marks.com/antique-ter

  18. Gesso
    From the Italian for gypsum or plaster. This is used in the making of grounds for painting. The traditional gesso is made from a combination of hide glue and whiting, sometimes with pigment added. It makes a smooth, hard non-yellowing surface that is very absorbent. This ground is only for rigid sup...
    Found on http://www.latinart.com/glossary.cfm?sor

  19. GESSO
    A white ground material for preparing rigid supports for painting. made of a mixture of chalk, white pigment, and glue. Same name applied to acrylic bound chalk and pigment used on flexible supports as well as rigid.
    Found on http://www.modernsculpture.com/glossary.

  20. gesso
    A mixture of glue and either chalk or plaster of Paris applied as a ground or coating to surfaces in order to give them the correct properties to receive paint. Gesso can also be built up or molded into relief designs, or carved.
    Found on http://www.ackland.org/tours/classes/glo

  21. GESSO
    A white ground material for preparing rigid supports for painting. made of a mixture of chalk, white pigment, and glue. Same name applied to acrylic bound chalk and pigment used on flexible supports as well as rigid.
    Found on http://www.rexart.com/glossary.html

  22. Gesso
    , dating the 11th dynasty, circa 2009-1998 B.C. Painted and gessoed wood, originally from Thebes. `Gesso` (ˈdʒɛsːo--> "chalk," from the Latin gypsum, from the Greek γύψος) is a white paint mixture consisting of a binder mixed with chalk, gypsum, ...
    Found on http://en.wikipedia.org/wiki/Gesso



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12 February 2012

This day in history:
/calendar/ On February 12, 1809, Charles Robert Darwin was born at The Mount in Shrewsbury, Shropshire, England. Darwin was one of the last of the eclectic scientists who preceded the age of professional specialization. His genius lay in his ability to select, from the facts which he so diligently collected, every relevant point and fit it into his bold and far-reaching theories. He was not the first to advance a theory of evolution; but his massive weight of evidence carried conviction where earlier theorists had failed. He was shy and modest and shrank from controversy, an unfortunate trait in the author of the most controversial book of the century. read more

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